Archive for the ‘Review’ Category

Ulver – Bergtatt

Of all the extreme metal sub-genres, black metal is probably the most extreme in many ways. It is highly polemic, raw, really uneasy to unaccustomed ears, violent. But it is also misunderstood. Black metal can also be forward thinking, avant-garde, even relaxing. And that’s why it’s one my favorite metal genres. This diversity is what makes it interesting.

So, what album should I choose to introduce the genre in No Sölo Metal? That’s an easy one!

Ulver - Bergtatt

Old times, darkness, forests... This is clearly a good cover for Bergtatt

It has to be Ulver’s debut: Bergtatt – Et eeventyr i 5 capitler (“Taken into the Mountain – A Fairy Tale in 5 Chapters”). That’s a long title for a short album. But what an album! This is an absolute masterpiece of black (and folk) metal. Many consider it that way not because this is the most trve black metal release ever, but because it moved the genre to the next level. Ulver showed black metal could be much more than it was, and they did that in 1994, when the Norwegian scene was arguably at its most relevant moment.

Bergtatt is actually quiet for a black metal album. Flutes, acoustic guitars, and smooth, slow voices are an integral part of it, maybe even more prominent than the genre’s typical relentless drumming, heavily distorted guitars and shrieking vocals. Satyricon arguably were the first to introduce acoustic interludes in black metal in their ’93 debut Dark Medieval Times (Ulver’s own demo was also recorded that year) but in Bergtatt they are much more prominent.

You may be wondering how does it sound, so let’s hear Capitel I!

That’s my favorite capitel. It has almost everything that is good about Bergtatt, good riffs, a surprising acoustic interlude, and great guitar solos. Ulver start the album in an interesting way: the song has a typical (maybe a bit slow) black metal background, but ancient chant like vocals clearly state this is not your average Norwegian black metal album. It may not sound that original today, but it was in 1994.

And I’d dare to say it gets more interesting in the next four songs. The band explores further in both directions: brutal and acoustic. Even when this kind of contrast has become almost a cliché, the songs never feel forcefully changing gears. Blast beats have a meaning, they come when they must and support the narrative about the girl lost in cold norwegian forests.

Composition, production, story and  cover work together to make Bergtatt a piece of art. A word of warning though. Ulver are not prone to repeat themselves, so you better look elsewhere if you like what you hear and want more. Stay tuned! ;)

Listen on Spotify
Buy on Amazon

FacebookTwitterDiggMeneameTechnorati FavoritesShare

Darkthrone – Circle the Wagons

This one has really been a surprise. Darkthrone is an interesting and influential band, but I must confess I don’t enjoy most of their music. Their latest offering however has been an exception.

Circle the Wagons is not black metal by any means. It is old school heavy metal recorded with typical Darkthrone raw, lo-fi, muffled production.

Dark Throne - Circle of Wagons

Wild, old school, black & white. Just like the music.

Fenriz has been talking about classic heavy metal stuff lately, so maybe this album shouldn’t be such a surprise.  But I won’t try to trick you: this is not an album for every single heavy metal lover out there. It sounds somehow like Mötorhead recording in a garage with Lemmy having smoked a little too much (not very flattering, I know). They know they can sound much better, but they don’t care, they still show passion.

Circle of Wagons won’t never be among my favorites, but after a few spins I find it strangely appealing. It feels authentic, respectful of their influences while still sounding like themselves. And they even play some guitar solos!

http://www.youtube.com/watch?v=VmE7HZmsF2k

With this album, the duo proves once again they are more intelligent than their trve kult norwegian necro produced black metal legion of worshipers. Interestingly, the very pioneers of that sound have moved away from it, progressing and exploring while still maintaining their essence. Circle the Wagons is still Darkthrone: it’s direct, simple, crude, but this time it’s enjoyable. Quite a feat!

Myspace
Buy on Amazon
Listen on Spotify

FacebookTwitterDiggMeneameTechnorati FavoritesShare

Red Sparowes – The Fear Is Excruciating, But Therein Lies The Answer

Speaking of instrumental music… Behold the Red Sparowes!

I discovered them last week. They are from Los Angeles. They play 100% instrumental post-rock. And they’re awesome!

The Fear Is Excruciating, But Therein Lies the Answer is their third album. I have not listened to their previous efforts, but they surely have become a confident band. Which is not surprising knowing that the they are veteran musicians from the scene, including Jeff Caxide from Isis on bass.

The album does follow the usual genre cliches: long songs with long build ups that suddenly release tension, an epic but melancholic feeling, and a focus on ambience. However, it does not sound generic or uninspired. Melodies are simple but effective and memorable, guitar effects are interesting, and the rhythm section is somewhat jazzy.

The Fear Is Excruciating, But Therein Lies The Answer is a somewhat pretentious title, but I think it suits the music well. As I said, the album is a bit melancholic. But at the same time, it feels optimistic, like showing a positive attitude even when facing an immediate danger.

The Fear Is Excruciating, but Therein Lies the Answer

A good cover that captures the album's feeling

This is an album to get lost in. I try to stay focused while listening to it, but I cannot. It sucks you in. By the time you’re back to reality, with the last track’s great crescendo, the whole thing is suddenly over and you know it’s time to click replay.

Myspace
Buy on Amazon (CD)
Buy on Amazon (MP3)
Buy on Bandcamp

FacebookTwitterDiggMeneameTechnorati FavoritesShare

Porcupine Tree – The Incident

Porcupine Tree is one of my favorite bands. Their frontman, Steven Wilson, is one of those rare musical genius still around. It won’t come as a surprise that their last album was one of the most anticipated releases of 2009 for me.
Porcupine Tree - The Incident

Lasse Hoile did another fine job for the band

“The Incident” has quite an interesting structure: it is a double part album. The first one is composed entirely by Wilson, and it is supposed to be just a really long song divided in several movements. The second and shorter part is a band effort, some kind of EP with new content unrelated to the other disc. This of course did nothing but raise my already high expectations. So, did “The Incident” lived up to them?

Not really.

Do I think it is a bad album? Not at all! But, I think something is lacking…

Actually, (almost) all the ingredients are there. “The Incident” follows the path started a few albums back. Its genre lies somewhere between metal and prog-rock. Compositions are quite long for the average rock album, mixing beautiful, relaxing parts with more aggressive passages. However, vocals are invariably smooth and melodic, something unusual for a band with so many metal influences. This time, the overall sound of the album is a bit mellower, returning to their nineties’ sound. And let’s not forget to say that production is top notch, as expected from Mr. Wilson.

So, what’s the problem with this album? It’s hard to tell. Maybe its just me, but it feels a little… uninspired, specially the vocals. The central song of the album, “Time Flies”, is quite generic for Porcupine Tree, and in “Drawing the Line” vocals border annoying level. That’s the worse performance in the band career, IMHO. Another problem is that the first part of the album does not feel like a single musical piece. It’s more like a collection of songs that segue one into the next. It just lacks cohesion. It sounds good, but I can’t enjoy it as much as previous efforts by the band.

The second part is actually very good. This is what I was expecting! But, I was expecting a double album of these, not just an EP.

When I first listened to “The Incident” I was unimpressed. However, I thought the album would eventually grow on me. And it has. In fact, I find it difficult not to recommend an album this good. It’s just not their best work. I think “In Absentia” is still their best one for newcomers.

Let’s consider this just an incident in an impressive career.

So, what do you think? Did you find the new album as good as the older ones?

Listen on Spotify: Porcupine Tree – The Incident

Buy on Amazon

FacebookTwitterDiggMeneameTechnorati FavoritesShare

Black Sabbath, Black Sabbath, Black Sabbath!

So, let’s start from the beginning! Or almost the beginning… Many people consider this one the very first metal album. And not without reason. Black Sabbath’s homonymous debut is a time machine from 40 years ago: they transported the listeners of their time to the future of heavy metal.

Black Sabbath album cover

Even the cover is "Metal" by today's standards.

I cannot think of an album more influential than this one. The very first track, aptly titled Black Sabbath, starts with the sound of a storm and the tolling of a church bell far away. The tense ambient is soon broken by a thundering guitar playing a doomy, simple tritone based riff. There you have it, just a few seconds into the album and one realizes these guys created something new. Almost 30 years later, Opeth started their third album in similar fashion. And it still sounded fresh.

But this album is not just a history lesson in metal music. It’s enjoyable! And I think it has aged really well. I won’t say it sounds modern, but it definitely does not sound outdated. It was avant-garde and innovative even if we forget we are talking about the very beginnings of metal for a moment. They created the basis of the genre, and at the same time broke its own rules. Some call the style proto-doom. The influence in doom metal is obvious, but it has so much more to it. There’s a bluesy harp melody on “The Wizard”, there’s a hard rock jam in “The Warning”, the classic “N.I.B.” is also from this album, and there is even some happier sounding songs like “Evil Woman”.

I don’t think this is the very first metal music in history. But it is indeed the first metal album. The Sabbaths really nailed it on their first one.

Listen on Spotify

Buy on Amazon

FacebookTwitterDiggMeneameTechnorati FavoritesShare